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＜p＞Imperialism is a transnational and transhistorical phenomenon; it occurs neither in limited areas nor at one specific moment. In cultures from across the world theatrical performance has long been a site for both the representation and support of imperialism, and resistance and rebellion against it. ＜em＞Imperialism and Theatre＜/em＞ is a groundbreaking collection which explores the questions of why and how the theatre was selected within imperial cultures for the representation of the concerns of both the colonizers and the colonized. Gathering together fifteen noted scholars and theatre practitioners, this collection spans global and historical boundaries and presents a uniquely comprehensive study of post-colonial drama. The essays engage in current theoretical issues while shifting the focus from the printed text to theatre as a cultural formation and locus of political force. A compelling and extremely timely work, ＜em＞Imperialism and Theatre＜/em＞ reveals fascinating new dimensions to the post-colonial debate. ＜strong＞Contributors:＜/strong＞ Nora Alter; Sudipto Chatterjee; Mary Karen Dahl; Alan Filewood; Donald H. Frischmann; Rhonda Garelick; Helen Gilbert; Michael Hays; Loren Kruger; Josephine Lee; Robert Eric Livingston; Julie S. Peters; Michael Quinn; Edward Said; Elaine Savory.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。